Sgt. Pepper's Lonely Hearts Club Band
will forever be known as the recording that changed rock & roll. At the time of its
release, it immediately changed the perception of what a rock band could
achieve, not only in the rock community but in the mainstream, which had
previously dismissed the music as child's play. With its effortless command of
sound, styles and songcraft, it wasn't easy to dismiss Sgt. Pepper. Anyone
that had paid attention to Revolver would have realized that the Beatles had
already made the great leap forward, reaching a previously unheard-of level
of sophistication and fearless experimentation. Sgt. Pepper, in many ways, is
a refinement of that breakthrough, as the Beatles learned how to synthesize all
their influences into a seamless sound. They had unconsciously achieved that
with their earliest records, where they tied a variety of early rock & roll
influences into a distinctive sound, but here they consciously blend such
disparate influences as psychedelia, art-song, classical music, rock & roll and
music hall, often in the course of one song. Similarly, the album was designed
as a song suite, with each song leading into the next, occasionally with no
breaks between the tracks. It gave Sgt. Pepper the appearance of being a
concept album -- and initially it was designed as a concept album about
childhood, but that idea was abandoned once "Strawberry Fields Forever"
and "Penny Lane" were pulled as a single during the recording sessions -- but
there is no unifying theme besides the layered sound and thirst for
experimentation. That's enough, of course. Sgt. Pepper is a richly diverse
album and not once does its eclectism seem forced -- the genius of the record
is how the vaudevillian "When I'm 64" seems like a logical extension of
"Within You Without You" and how it provides a gateway to the chiming
guitars of "Lovely Rita." There's no discounting the individual contributions of
each member or their producer George Martin, but the preponderance of
whimsy and classical influences gives the impression that Paul McCartney is
the leader of the Lonely Hearts Club Band. He dominates the album in terms
of compositions ("Getting Better," "Fixing a Hole," "She's Leaving Home,"
"When I'm Sixty-Four," "Lovely Rita," the title track) and he sets the tone for
the album with his unabashed melodicism and deviously clever arrangements,
which are always considerably more complex than they intially appear.
Lennon's contributions are few and far between, and unfortunately a couple of
them are slight -- for all of its appealing carnivalesque psychedelia, it's clear
that he dashed off "Being for the Benefit of Mr. Kite!," and "Good Morning
Good Morning" is merely a good throwaway -- but his major statements are
stunning. "With a Little Help from My Friends" is the ideal Ringo tune, a
rolling, friendly pop song that not only is perfect for his puppy-dog
personality, but hides some genuine Lennon anguish, ala "Help!" The
notorious "Lucy in the Sky with Diamonds" remains one of the touchstones of
British psychedelia, thanks to its inventive arrangement and elongated melody.
And Lennon is the mastermind behind the bulk of "A Day in the Life," the final
song and centerpiece of Sgt. Pepper. A haunting number that skillfuly blends
Lennon's verse and chorus with McCartney's bridge, "A Day in the Life" is
surely one of their greatest recorded achievements; decades after its release, it
still can still astonish, even if every note has been memorized. Nevertheless, it
is possible that first-time listeners may find Sgt. Pepper a little underwhelming,
in light of its titanic reputation and years of being force-fed hype that claims it
is the greatest album of all time. It is true that modern-day listners might find
its whimsy quaint or antiquated, not charming, and that its few flaws stand out
larger in light of the hype. After all, they have grown accustomed to the
innovations that were pioneered here. And it may be true that there are better
Beatles albums -- Revolver, The Beatles, Abbey Road, A Hard Day's Night
and Rubber Soul all are valid contenders for the position -- but there are no
albums quite as historically important as this. After Sgt. Pepper, there were no
rules to follow -- rock and pop bands could try anything, for better or worse.
Ironically, few tried to achieve the sweeping, all-encompassing embrace of
music as the Beatles did here.
A review by: -- Stephen Thomas Erlewine, All-Music Guide